The Treasure in the Attic

About the History of the Photo Collection

More than 2,000 glass negatives by the Jewish photographer Abram Mittelmann were discovered in 1988 in the attic of a residential building at Peterssteinweg 15 in Leipzig’s Südvorstadt district—forgotten for decades and partially destroyed. Most of the photographs were taken around 1930 and depict the faces of women, men, and children, many of whom were Jewish. Abram Mittelmann lived and worked in the house from 1909 to 1938. The origins, life stories, and fates of many of those portrayed remain unknown to this day.

In 2022, the negatives were returned from private ownership to Nadia Vergne, Abram Mittelmann’s granddaughter. Since then, an initiative comprising Nadia Vergne, the Museum of City History Leipzig, the Ariowitsch House on behalf of the Israelitische Religionsgemeinde, and the Archiv Bürgerbewegung Leipzig e.V. has been working together to process the collection. The Museum of City History digitized all the photos in 2023 and published them in an online database in 2024—with funding from the Stiftung Sächsische Gedenkstätten.

Since 2025, the life stories of those portrayed have been systematically researched and documented in the database. This is made possible by the Ostdeutsche Sparkassenstiftung in collaboration with Sparkasse Leipzig, the City of Leipzig, and the Kulturstiftung des Freistaats Sachsen. Starting in 2026, the results will be publicly accessible through an exhibition and numerous educational programs.

Haus Peterssteinweg 15

Seq. No.: F/6902/2005

The image shows a street and a building facade at Petersteinweg 15 in Leipzig.

Shop window of the Mittelmann photography studio, Peterssteinweg 15

Seq. No.: AM00005005

Shop window of the Mittelmann photography studio at Peterssteinweg 15. The Mittelmann family expanded their photography studio to include a shop in the early 1920s. On the ground floor of Peterssteinweg, cameras from renowned manufacturers and related products were sold here. This enabled them to generate additional sources of income, particularly as owning a camera was now becoming more affordable for everyone. People were no longer dependent on a photo studio. As late as 1937, Mittelmann was an authorised dealer for the manufacturer Zeiss Ikon, Dresden.

The picture shows the shop window of the Mittelmann photography studio at Peterssteinweg 15

“Through this magnificent legacy, which has miraculously survived to this day, we gain insight into the lives of Leipzig’s residents—the photo archive of my grandfather, Abram Mittelmann, who lived in Leipzig from 1904 to 1938. Against the well-known historical backdrop of the rise of National Socialism, we can reexamine history through a kind of microhistory—that is, the story of people within their own environments. An enlightening collection that invites reflection and contemplation.” — Nadia Vergne

This coincidental discovery of photographs makes it possible, for the first time, to give a face and a name back to the people from Leipzig portrayed in them—both Jewish and non-Jewish. Their biographies, cultural achievements, and economic life stories during the Weimar Republic and amid the growing marginalization after 1933 can now be retold.